#Antichrist full movie vimeo series#
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Essentially, it was a sponsored art film. So I got to make a piece of art that I had always wanted to make anyway. вЂњThe project, as described to me, was so open-ended and fun,вЂќ says Frost. ItвЂ™s a beautiful thing.вЂќДЇrost, a photographer-filmmaker who had already done commercial work, had no hesitations about working on the Lincoln project.

The brand is just trying to facilitate their vision. вЂњBut it gets me excited that there is almost this European sensibility in treating the filmmaker as a storyteller. вЂњI know other artists would call me a sellout,вЂќ says Rausch. The Lincoln commission, he says, вЂњwas encouragement to freely open my heart and explore something meaningful.вЂќ Rausch shrugs off those who would say heвЂ™s sold out. I probably would have slept on the idea and it may never have come to fruition,вЂќ says Rausch. вЂњEven though the funding was small, it exorcised the demons in a more efficient way that I normally would. If he didnвЂ™t have the possibility of a commission for the project, Rausch might not have ever made the film.

Then I thought, вЂThis is the idea.вЂ™ ItвЂ™s about digital distraction and how interfacing with technology is affecting our relationships,вЂќ says Rausch. вЂњI was on my phone answering e-mails and my dad said I was too distracted. However, when Rausch first heard about the Lincoln project, his initial instinct was to pass because he didnвЂ™t think he вЂњhad an idea that was fresh and readily available to capture.вЂќД«ut, before he had the chance to decline the offer, Rausch had an inspiration while visiting his parents. IвЂ™ve seen them as family.вЂќДЄfter Rausch uploaded his short film, вЂњLast Minutes with Oden,вЂќ on Vimeo in 2010, the documentary went on to win the inaugural Vimeo Film Festival, was named by Time as one of 2010вЂ™s top Web films, and helped land Rausch many commercial jobs and other assignments. вЂњI fell in love with Vimeo culture and everything theyвЂ™ve been trying to do for the community. вЂњIвЂ™ve been on Vimeo for four years,вЂќ he says. One of the reasons Rausch gave Lincoln the benefit of the doubt was trust in another brand: Vimeo.

#Antichrist full movie vimeo free#

вЂњAs much as theyвЂ™re offering this free and transparent liberated non-confined creative expression, is there any bait and switch? Are they just using us to sell more cars?вЂќ вЂњDoes the brand relationship dilute the potency or the purity of something we would have created on our own?вЂќ asks Rausch. One of the selected filmmakers, Eliot Rausch, acknowledges that he initially had a fair amount of skepticism about the proposition.

#Antichrist full movie vimeo series#

'House of the Dragon': Everything You Need to Know About HBO's Upcoming SeriesД®mmy Predictions: Outstanding Supporting Actress in a Limited or Anthology Series or MovieДЄt its most basic, itвЂ™s a tradeoff: Filmmakers get funding brands get indie cred and cheap talent. To read the Antichrist interview conversation and film poster visit the official Direct Approach website:Дirect-approach.A Child's First Divorced Christmas Is Sweetly Poignant in 'Like the Ones I Used to Know'Дavid Cronenberg Created a One-Minute Short Film Imagining His Death, and You Can Own it Their statements and developed perspectives on how identities are defined within discourses of violence are opened for a broad public reflection in an exhibition in District from July 5 to September 21, 2014. The young participants are producers of interview conversations, film posters, videos and an exhibition. The conversations are manifested in вЂstatements on violenceвЂ™, film posters and videos.Дirect Approach was tested for the first time in cooperation with District Kunst вЂ“ und KulturfГ¶rderung and in collaboration with Gangway in a 6 month workshop for young people in Berlin between 13-25 years old. Then they are asked to choose one of the characters from the film scene: victim, perpetrator and bystander. Participants are asked to describe from their memory the most violent film scene that they have ever watched. With the use of film as a conversational tool, the project is created to engage people in conversations about violence, taboos and ethics.

Video from DIRECT APPROACH, a collaborative workshop by Stine Marie Jacobsen, 2014.Дirect Approach is a project based on conversations about violence in film and reality. Director: Catalina Gomez Alvarez / Camera: Anna Cummings / Sound: Jonas Braun / Cast: Elena Gomez Alvarez und Jonas Reigardt / Make-up: Lula Sakran.